What actually makes sheet music reading faster? I know all the notes but still decode them one at a time.
Adult beginner, about two years in. I can name every note on both staves without hesitation if you point at one. Put a piece in front of me and I still read it note by note, like spelling out a word letter by letter, and it falls apart the moment both hands have anything going on.
So it is not a note-naming problem. Something else is missing and I cannot identify it.
What I have tried: flashcards, which improved my note naming and did nothing for my reading. And playing very slowly, which works but never seems to transfer to reading something new at any speed.
What I would like to know:
- If note recognition is not the bottleneck, what is?
- Why does slow practice on one piece not seem to make me a faster reader generally?
- What would you actually practise to fix this?
@pushup_pelin · 2h ago
Question 2 has a specific answer: practising one piece slowly is training that piece, not reading.
After the third repetition you are no longer reading — you are recalling, with the page as a prompt. That is a good way to learn a piece and it is nearly useless for sight reading, because the skill you want is specifically the one you use on material you have never seen.
The fix is uncomfortable and simple: read new material every day, and never repeat it. Something far below your playing level, one page, once, then move on. If you can play it perfectly it is too easy; if you break down it is too hard. Aim for material where you get through it with mistakes but without stopping.
The rule that makes it work: do not stop to correct. Sight reading is the skill of continuing. Stopping to fix a note trains stopping, which is what makes it fall apart when both hands are busy.
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