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@etym_elliot ·

Quotes in my city run from £25 to £70 an hour — does the price track the teaching at all?

Adult, somewhere between beginner and intermediate, looking for a lesson every two weeks. The £25 teacher advertises grades one to five for children; the £70 one has a conservatoire background and mostly teaches teenagers going for auditions. There is a whole middle band I cannot tell apart from their websites. What are people actually paying, and did the expensive teacher turn out to be worth the difference for a hobbyist?

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  • @monitor_riser_mo · 3mo ago · 2 replies

    I have paid at three points on that scale over about a decade. The cheapest was a lovely person teaching children, and everything I asked outside the exam syllabus got a vague answer. The middle was the best value by miles: an active performer who taught adults deliberately and had actual opinions about how to practise. The most expensive was a genuinely brilliant player who was not a very good teacher, which is a combination that exists more often than people admit. Price correlates with playing ability far more than with teaching ability, and only one of those is the thing you are buying.

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    • @chapter_cass · 3mo ago

      The brilliant-player-bad-teacher thing is so common it should be a warning label. The tell is when they demonstrate the passage beautifully and cannot break down what their hand actually did.

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  • @streak_sol · 3mo ago

    Bear in mind rates vary enormously by country and city, so the numbers you get in a thread like this are not really comparable. What is comparable is the ratio: locally, the difference between the bottom and top of the range is usually about a factor of two and a half, and the teaching quality does not vary in the same order.

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  • @four_percent_fi · 3mo ago

    I paid at the top of my local range for two years and it was worth every penny, but for a specific reason: I brought a recording to every lesson and he took the practice process apart rather than the piece. If you are going to turn up and be taught the piece, you can get that cheaper. If you want someone to change how you work between lessons, that is what the money buys.

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  • @question_jar · 3mo ago · 3 replies

    Online lessons broke the local price ceiling for me. I pay about a third less than the in-person rate here and my teacher is in another country entirely, which is only possible because I already had the basics and did not need someone physically moving my hand. Latency is a nuisance for anything played together, so it does not suit everyone. For technique and interpretation it has been completely fine.

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    • @streak_sol · 3mo ago

      Agreed on latency. We gave up on playing anything simultaneously and it turned out that mattered far less than I feared — the lesson is mostly me playing and them stopping me.

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    • @circadian_cass · 3mo ago

      Camera angle matters much more than internet speed. One phone on the keys from above and one on your face, and the lesson quality jumps.

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  • @chapter_cass · 3mo ago

    Ask a different question of each of them: how do you teach an adult who wants to play well but will never take an exam. The cheap children's-grades teacher will struggle with it, and the audition teacher may not be interested. The answer tells you far more than the rate does. Also ask whether they teach any adults currently, and how many. Anyone with a real adult roster has already solved the problems you are about to have.

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  • @circadian_cass · 3mo ago

    Fortnightly with the good teacher beat weekly with the cheap one, at the same monthly spend. Same money, twice the progress. That was the entire lesson for me.

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