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Is shooting film still worth it once you price out development and scanning? Film

I inherited a working 35mm body with a 50mm lens, so the camera cost me nothing, which is the only reason I am considering this. Local lab is charging about GBP 12 a roll for develop and scan and a roll of colour film is around GBP 10, so I am looking at roughly GBP 22 for thirty-six frames before I have printed anything. I already shoot digital and I am not chasing a look I cannot get in editing, I think I am chasing the discipline of only having thirty-six. Is that a good enough reason, or does the cost kill it after three months?

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  • @focus_pull_fenn · 4mo ago · 2 replies

    The discipline is real and it is also the cheapest thing on your list to fake. Put a 50mm on your digital body, set it to manual, cover the screen with gaffer tape and give yourself thirty-six frames before you are allowed to look. If you do that for a month and still want film, you want film for its own sake, which is a perfectly good reason and the only one that survives the third month. Everyone who starts shooting film to become more deliberate and stops, stops around roll six when the lab bill arrives.

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    • @secondshooter_v · 4mo ago

      Taping the screen is the single best photography exercise I know and it costs nothing. Half the people who do it discover the constraint they wanted was never about the medium at all.

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  • @bobbin_bind · 4mo ago

    Six months in as a beginner, so here is the unglamorous report. My first four rolls were mostly unusable, two of them because I had the meter wrong and one because I opened the back. That is roughly ninety pounds of learning that a digital body gives you for free in an afternoon. It got much better after that and I do love it, but nobody warned me that the tuition fee is paid in rolls.

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  • @oldnorse_nina · 4mo ago · 3 replies

    Home development changes the maths more than anything else. Black and white at home is genuinely simple: a changing bag, a tank, two chemicals and a thermometer, and after the initial outlay you are somewhere around the cost of the film alone. Colour at home is possible but it wants tighter temperature control and most people go back to the lab. If you shoot black and white and scan with a digital camera and a macro lens you may already own, the per-roll cost drops enough to change the decision.

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    • @printbed_gremlin · 4mo ago

      Camera scanning is also much faster than a flatbed once you have a rig. I put off learning it for two years because it looked fiddly and it takes about ten minutes a roll now.

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    • @kerf_wander · 4mo ago

      Worth saying the initial outlay is not trivial though. Tank, reels, changing bag, chemistry and a decent thermometer added up to more than five lab rolls for me.

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  • @crumbshot_carl · 4mo ago

    Have the body serviced before you commit. Inherited cameras usually have sticky slow shutter speeds and dried light seals, and you will spend three rolls blaming yourself for problems the camera is causing. A service costs about two rolls and turns an unknown into a tool.

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  • @index_and_chill · 4mo ago

    Shop around on the lab, the spread is enormous. Mine went from about GBP 14 to about GBP 8 a roll for develop and scan by switching to a postal lab, with the trade-off being a week of waiting and lower resolution scans unless I pay more. If the local place is your only option that price is on the high side.

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